Like many other young kids, I never really thought twice about memorizing music. In the course of working on a piece, it usually just happened.Of course, at some point, memorizing music becomes more difficult for everyone. The repertoire gets more challenging, you start having lots of repertoire to learn at the same time, and performance deadlines don't leave you with as much time as you'd like.And this is when you probably began memorizing music on purpose. Intentionally. Using specific memorization strategies (a few linked below).But this leads to a related question that I don't think we often ask. Which is, when should we start the process of memorizing a new piece? Once it's mostly in your fingers? When you can play it at tempo? A month before the performance? Two?A 2002 study of singers provides some clues.Get all the nerdy details here:When Is the Best Time to Start Memorizing a New Piece?More from The Bulletproof Musician Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content. Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage. Learning Lab: A continuing education community where musicians and learners are putting research into practice. Live and self-paced courses

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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