In a recent Film Comment Letter interview, Academy Film Archive preservationist Mark Toscano said: “to me, restoration has a variable definition, because it’s not embodying any specific technique or approach. It is more of a conceptual process by which you’re making sure that the film retains its qualities as a work that was made by a person—especially experimental work made by an individual.” Film Comment editors Clinton Krute and Devika Girish wanted to dig a little deeper into Mark’s comments, and into the technically and philosophically challenging ins and outs of film preservation and restoration, so they invited two experts to join the podcast and guide them through the subject: critic and media conservator Ina Archer and Shivendra Singh Dungarpur, founder and director of the Film Heritage Foundation. Both also provide details on some exciting projects they’re engaged in: Ina talks about preserving Robert Goodwin’s independent blaxploitation flick Black Chariot and Jessie Maple’s 1981 drama Will, while Shivendra breaks down the restorations of two major works by Indian filmmaker Govindan Aravindan, Kummatty and Thamp̄.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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