Broadway's My Beat: The Tony Blair Murder Case (EP5068)

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The Great Detectives of Old Time Radio| Daily Mystery Dramas 34 min 7 speakers 5 chapters transcribed just now
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Olen Shannon Maldonado, käsintehtyjä artesaanituotteita myyvän Jaui lahjakaupan perustaja. Valitsin Shopify, koska alustoja testatessani totesin sen ehdottomasti yhdeksi helppokäyttöisimmistä alustoista. Minulla oli tärkeää pohtia kehittymistämme tulevaisuudessa. Kaikki myyntiin tarvittavat työkalut, kuten varaston suunnittelu, ovat kätevästi dashboardissa. Aloita ilmainen kokeilu shopify.com-sivustolla.
Shannon Maldonado 0:30
I founded Ornot in 2013. I think the best thing about Shopify is that we can practice business without technical skills. We can manage the company's background and front-end and sell online. If Shopify was a bicycle, it would be a bicycle itself. That's how things are handled and our business is handled in Shopify. Start a free trial at shopify.com.
THE END
Adam Graham 1:28
Welcome to the Great Detectives of Old Time Radio. From Boise, Idaho, this is your host, Adam Graham. In a moment, we're going to bring you this week's episode of Broadway's My Beat. But first, I want to encourage you, if you're enjoying the podcast, please follow us using your favorite podcast software. And today's program is brought to you in part by the financial support of our listeners. You can support the show by On a one-time basis, using the Zelle app to box 13 at greatdetectives.net and become one of our ongoing Patreon supporters for as little as $2 per month at patreon.greatdetectives.net. But now, from September 20th, 1952, so we did have about six weeks of lost episodes, here is the Tony Blair murder case.
Larry Thor 2:35
Broadway's My Beat, from Times Square to Columbus Circle, the gaudiest, the most violent, the lonesomest mile in the world.
Jack Kruschen 2:43
Broadway's My Beat, with Larry Thor as Detective Danny Clover.
© BF-WATCH TV 2021
Larry Thor 3:05
When you walk the sunny September morning on Broadway, walk slow. Give yourself time to gather up the things you want to save for memories. Beneath your feet, the concrete strikes glints of silver and gold. The passersby are nicely proportioned with silken ankles and dachshunds and breeze-tossed hairdos. And the secret things that only you can see, all of which mixes well with the carousel music your mind makes. This is the day that Broadway belongs to you.
Larry Thor 3:41
And east of Broadway on 57th, where I was, other things of beauty. I counted 12 of them. Mr. Blair gave me that much time. He was in charge of all of
Sidney Miller 3:50
it. You will agree they are darlings, won't you? Every one of them, and each with a dream to become the most exquisite dancer in the world.
Larry Thor 3:58
Your call sounded urgent, Mr. Blair. Look
Sidney Miller 4:00
at them. Are you looking? Are you looking? Funny question. Choose one. What? Choose one. One of the darlings, the beauties. There they posture their exercises for the dance. And which one is best? In your eyes, I mean. Look, Mr. Blair, I didn't come
Larry Thor 4:18
here... And of
Sidney Miller 4:18
course, your eyes remain on Sylvia. All right, darling, enough, enough! Sylvia, background, newly returned from England. A beautiful dancer with greatness in her. Devoted to me, her dancing master. Sylvia, I saw her six years ago. Sent her to study with Sadler's Wells. Paid for her education. Now she is back here with me. I'm glad for both of you. Now she is back here with me. Now she will die. What? Sylvia told me that she is convinced of it. Peter Churro. What are you talking about? Dear man, I have said it. Sylvia told me Peter Churro was going to kill her. And who is Peter Churro? Whose name and address I give you on my car. Here. Sylvia! Sylvia, dear!
Yes?
Sidney Miller 5:11
Sylvia, dear, tell the dear man who Peter Churro is.
Sammy Hill 5:15
A boy I met in England once he was a soldier.
Sidney Miller 5:18
And what does he want to do to you, Sylvia?
Sammy Hill 5:21
He wants to kill me.
Larry Thor 5:29
Then swiftly she moved away to the center of the room. And the place of dust and autumn light was hers. Its color caught in the silken sash that bound tight her waist. That hung and slashed a line of scarlet against her likeness. Her place now, because in walls hung with mirror, the only reflection hers. And from somewhere, an arrow of light ricocheted from street chrome, pierced her shoulder. With the wounding of light, the girl began a slow and drifting turn. Spun its curve finally to the floor.

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