The Big Story: Cord Around Her Neck (EP5042)

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The Great Detectives of Old Time Radio| Daily Mystery Dramas 33 min 4 speakers 8 chapters transcribed 1 month ago
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What is the opening premise of Stuart Whitehouse’s murder investigation?

Mark Chapman 0:00
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Unknown 0:16
Liikenteessä! Koululais on tietessä paina jarru, Anna tietä, se on turvaa vera. Paskaupat ja kuljetusrobot toivottavat turvallista koulumatkaa kaikille.
Adam Graham 0:58
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This is your host, Adam Graham. In a moment, we're gonna bring you this week's episode of the big story. But first, I do want to encourage you, if you're enjoying the podcast, to follow us using your favorite podcast software. Also, I want to encourage you to check out our other podcast, and today I'm highlighting the war. It's our World War II podcast, which features more than 275 episodes. came across a wide variety of different genres, telling the story of war as told over old time radio. Check it out at the war dot great detectives dot net. But now from january ninth, nineteen fifty two, here is the court around her net.
Unknown 1:51
The big story.
George Poole 2:01
George, are you awake? Uh what's the matter?

How does the Boulevard Café scene introduce the victim and key suspects?

George Poole 2:03
What's the matter? The
Helen Barron 2:03
light's still on over at Mrs. Fromer's.
George Poole 2:05
Oh, so what?
Helen Barron 2:07
So what? I suppose you think it's all right for a lady to entertain a gentleman in a home until three o'clock in the morning.
George Poole 2:12
Oh, for Pete's sake, will you go to bed?
Unknown 2:23
The big story. Here is America. Its sound and its fury, its joy and its sorrow, as faithfully reported by the men and women of the great American newspapers.
Unknown 2:38
Seattle, Washington. The story is it actually happened. The Stuart White House story as he lived it.
Nat Polen 2:57
For you, Stuart Whitehouse of the West Seattle Herald. Life can be frustrating. And most of the time it is. The reason Your paper is a weekly. Every time you run into a good story, you have to wait days, sometimes a full week. Before you can print it.

What clues does Whitehouse discover at the crime scene on Kenyon Street?

Nat Polen 3:16
The big Seattle dailies carry it the next day. And that kills your young and kills you. Inside. So much for the background. And now for the beginning. It's this cold January night. And you stop in at the Boulevard Cafe for two things. First, a beer, and second, for some idle talk with Mike Mahaney, the bartender. Mike. Who's
Bill Griffiths 3:44
the lady at the other end of the bar? The name's Fromman. Lorraine Fromer. Why? She's pretty. Yeah. Yeah, she's got class. Comes in here almost every night, all alone. There's a few drinks. Place the same number on the jukebox over and over. You'll see she's lonesome.

How do Lieutenant Cotter and the police team begin their forensic analysis?

Bill Griffiths 4:05
Yeah.
Nat Polen 4:06
Yeah. Don't look at me, Mike. All I want is a beer, a kind word, and I'm going right home. I haven't got
Bill Griffiths 4:14
any ideas on the subject. Well, you're the first guy I met around here who hasn't. Every customer who comes into the joint tries to date her. You sound as though you had a personal interest yourself. Me? Are you kidding? I got a wife and a family at home. Anyway, I'm the bartender. She's a customer. Sure. Sure, I know. I've seen you, Mike. Yeah. So long, Stu.
Nat Polen 4:41
The impression is zero. An incident that lives a little and dies.

What is the significance of the strange cord found around Lorraine’s neck?

Nat Polen 4:46
Something to forget, never file. But a few nights later, in the same bar.
Margaret Burlen 4:57
You know what, Mike?
Bill Griffiths 4:59
What?
Margaret Burlen 5:00
I think you're cute. Me? Yeah, I like cuter than some of the creeps that come in here. Oh that husband of mine.
Bill Griffiths 5:08
Oh um Speaking of the guys who come in here, Mrs. Fromer. You ought to be careful who you let by your drink. Some of these characters have been taking you home, um... Kinda weird.
Margaret Burlen 5:18
What's the matter, Mike?
Bill Griffiths 5:20
Jealous. Me? Jealous? You kidding?
Margaret Burlen 5:25
I wonder, darling.

How does the shoe‑size footprint lead to a potential killer?

Margaret Burlen 5:26
I wonder.
Bill Griffiths 5:27
Look, I'm uh I'm just trying to be a nice guy. Just warning ya that uh some of these bar flies are dangerous.
Margaret Burlen 5:34
Forget it, Lockenbar. Give me another drink and stop playing daddy. Little Lorraine can take care of herself.
Margaret Burlen 5:53
Mike. Yeah. Give me another drink.
Bill Griffiths 5:57
Look in. Haven't you had enough?
Margaret Burlen 5:59
I'll let you know, Daddy, when I Well look who's coming. Little Howie to Sam. The poor man's Houdini.
Bill Griffiths 6:08
Are you Mike? Hello, Howie.
Nat Polen 6:10
Hiya, Lorraine.
Margaret Burlen 6:11
How's the amateur magician?
Nat Polen 6:13
Amateur, huh?

Why does Whitehouse investigate the local magician Howie DeSalle?

Nat Polen 6:15
Oh, don't you kid yourself, sweetheart. I'm playing two benefits next week, and I'm gonna be great sometimes. Great, you get me?
Margaret Burlen 6:21
Oh, that's a laugh. Why you couldn't pull a rabbit out of a rabbit hutch?

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