The most dangerous game, said one writer, is Man. But there is another still more deadly! Seventh Victim by Robert Sheckley, that’s next on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.The Lost Sci-Fi Podcast is growing like crazy, thanks to you, so we’re delivering two bonus episodes this week, to say thank you. In two days, we’re featuring the work of Harry Harrison and two days after that, Philip K. Dick returns.Thousands of you listen to us on podcast players like Apple, Spotify and Overcast and thousands more enjoy us on YouTube. Recent YouTube comments include this from Bob, “Thank you so much for these fabulous stories! I have a solitary job as a night custodian. I thoroughly enjoy these stories and the wonderful voice, who narrates them, as I work the graveyard shift. Thank you so much! Bob in Oregon” Thank you Bob!0therun1t21 says, “Well read! I love these stories, had to subscribe. Thank You!” Thank you for your comment 0therun!Dimitrikorsakov2570 had this to say, “Your narration is so damn good. You're so easy and pleasant to listen to.” Thanks Dimitri! Leave us a comment on YouTube or send us an email, [email protected]. In the last couple of months, we’ve heard from Robert Sheckley twice, Watchbird and Beside Still Waters. Our Sheckley story today comes from the pages of Galaxy Science Fiction Magazine in April 1953. Let’s go to page 38 for Seventh Victim by Robert Sheckley…In two days on The Lost Sci-Fi Podcast, James diGriz lives a life of crime, and he’s good at it. Perhaps not as good as he thinks he is! The Stainless Steel Rat by Harry Harrison. And two days later we’ve got a story for you from Philip K. Dick. That’s this week on The Lost Sci-Fi Podcast, with at least one lost vintage sci-fi short story in every episode.Support the showPlease participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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