‘Slow Horses’ Season 6 Premiere: The Saddest Horse

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The Prestige TV Podcast 1h 6m 2 speakers 8 chapters transcribed 4 hours ago
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What is the main focus of the Slow Horses Season 6 premiere recap?

Joanna Robinson 0:19
Hello, welcome back to the Prestige TV Podcast Speed.

How do the hosts discuss their Anglophile interests and the latest James Bond casting news?

Joanna Robinson 0:21
I'm Jordan Robinson.
Rob Mahoney 0:22
I'm Rob Mahoney.

What are the hosts’ immediate reactions and highlights from the new episode?

Joanna Robinson 0:23
It's slow horses season.

Which assassin duos are celebrated as the best in this season?

Rob Mahoney 0:25
It's always slow horses season in a way.

How is the use of spycraft evaluated as the best or worst of the week?

Joanna Robinson 0:27
Um in a way, but quite now it's literally slow horses season.

What is the significance of River Cartwright’s family storyline and his grandfather’s death?

Joanna Robinson 0:31
Season six, episode one.

Who are the new characters Oliver Nash and Damien Cantor and what roles do they play?

Rob Mahoney 0:33
Sorry, series six.
Joanna Robinson 0:35
Series six.
Rob Mahoney 0:36
The people get angry.

How do Peter Judd and Frank Harkness return and affect the story?

Rob Mahoney 0:36
Wow,
Joanna Robinson 0:37
that feeds right into a question I have for you in a minute. If folks want to email us specifically about slow horses, where should they email us?
Rob Mahoney 0:46
They should email us about slow horses at arstime the Pope at gmail.com. That's spelled exactly the way you think it's spelled.
Joanna Robinson 0:53
A-R-S-E, very important. ArsTime the Pope. It is a season four reference. I think it might have been season four. I think it might have
Rob Mahoney 1:00
been series one. Series
Joanna Robinson 1:00
one. Wow. Okay. From like our massive recap episode that we did years ago. How long have we been doing this podcast?
Rob Mahoney 1:06
Honestly, too long. But if that's too difficult for you for any reason, prestige TV at spotify.com will do fine.
Joanna Robinson 1:12
We also have a planned mailbag episode coming up and an indeterminate date. So prestige TV at spotify.com is how you can send in questions for that. We will we will entertain the idea of answering literally any question. Whether or not we will actually answer those questions depends on how demented you the listener are. Okay. Uh anything else you wanna say, the top programming wise?
Rob Mahoney 1:35
No, I think we I think we covered it nicely.
Joanna Robinson 1:37
Okay. Our plan is to do this week to week for for Slow House.
Rob Mahoney 1:41
Yeah.
Joanna Robinson 1:41
Um
Rob Mahoney 1:42
six episode run, nice and breezy.
Joanna Robinson 1:44
I love it. Actually on that front, I was listening to McCarron, who's the author of the books on a podcast talk about sort of why he likes to keep his books like very quick, very fast. Uh he he writes a lot of novellas in in addition to the various uh slow horses books. But he says he likes to write his books so that you could, if you wanted to, read them all in one sitting. Um because of Edgar Allan Poe. Who had me bring up Edgar Allan Poe so quick on the pod? I don't know. Uh this is something Edgar Allan Poe once said about. how he prefers to write why he prefers to write short stories.
Unknown 2:18
Okay.
Joanna Robinson 2:18
If any literary work is too long to be read at one sitting, we must be content to dispense with the immensely important effect. Derivable from unity of impression. For if two sittings be required, the affairs of the world interfere and everything like totality is at once destroyed. So basically, if you have to put the book down at any point, you're you break the spell of the immersion into this world and you you have to go about your day. So I was thinking
Rob Mahoney 2:46
my guy. I
Joanna Robinson 2:46
well, I was thinking about this in terms of like why we love going to uh films in the movie theater and you just like you get your complete story. You are uh sitting in the dark, you are not second screening, you were sharing it with other people, this fully immersive storytelling experience. It might be why some people prefer a binge. They just want to like binge all of slow horses at once to get to the bottom of it. Yeah. Just like you don't have to worry about your day. You can just watch all of it. I will say I understand the allure of that. I love going to the movies and and sort of having that whole experience. But also like, what is this podcast if not letting like world affairs interfere inside of our digestion of story?
Joanna Robinson 3:24
It's very true. So I'm of two minds about it. But like I just thought that was really funny for him to be like, uh, the reason I keep my book so short is because of Edgar Alan Poe and here's why. So
Rob Mahoney 3:33
I never thought a an author of fiction would speak so directly to me. But McCarron's really doing it. Yeah. Like I just think we need both, right? Like you need the digestible beginning to end story. And then like you and I like to noodle a little bit, you know? Watch an episode, chew the fat, see what's going on, theorize if we must. I
Joanna Robinson 3:50
have a noodle question for you later. Like a literal noodle question. I really love
Rob Mahoney 3:54
to noodle.
Joanna Robinson 3:54
Okay. On the sort of series versus uh season front. Here's the question that I that I told you I wanted to start with, which is and I base this basically on the fact that you and I were exchanging texts um about the upcoming season of Taskmaster.

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