Kevin Werbach interviews journalist and author Karen Hao about her new book Empire of AI, which chronicles the rise of OpenAI and the broader implications of generative artificial intelligence. Hao reflects on how the ethical challenges of AI have evolved, noting the shift from concerns like data privacy and algorithmic bias to more complex issues such as intellectual property violations, environmental impact, misleading user experiences, and concentration of power. She emphasizes that while some technical solutions exist, they are rarely implemented by developers, and foundational harms often occur before tools reach end users. Hao argues that OpenAI’s trajectory was not inevitable but instead the result of specific ideological beliefs, aggressive scaling decisions, and CEO Sam Altman’s singular fundraising prowess. She critiques the “pseudo-religious” ideologies underpinning Silicon Valley’s AI push, where utopian and doomer narratives coexist to justify rapid development. Hao outlines a more democratic alternative focused on smaller, task-specific models and stronger regulation to redirect AI’s future trajectory. Karen Hao has written about AI for publications such as The Atlantic, The Wall Street Journal, and MIT Tchnology Review. She was the first journalist to ever profile OpenAI, and leads The AI Spotlight Series, a program with the Pulitzer Center that trains thousands of journalists around the world on how to cover AI. She has also been a fellow with the Harvard Technology and Public Purpose program, the MIT Knight Science Journalism program, and the Pulitzer Center’s AI Accountability Network. She won an American Humanist Media Award in 2024, and an American National Magazine Award in 2022. Transcript Empire of AI: Dreams and Nightmares in Sam Altman's OpenAI Inside the Chaos at OpenAI (The Atlantic, 2023) Cleaning Up ChatGPT Takes Heavy Toll on Human Workers (Wall St. Journal, 2023) The New AI Panic (The Atlantic, 2023) The Messy, Secretive Reality Behind OpenAI’s Bid to Save the World (MIT Technology Review, 2020)

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