In this episode I present a 3-way conversation between English composers Colin Matthews, Julian Anderson and myself.Colin Matthews was born in London in 1946. He studied with Arnold Whittall and Nicholas Maw; in the 1970s he was assistant to Benjamin Britten, and worked for many years with Imogen Holst. His collaboration with Deryck Cooke on the performing version of Mahler’s Tenth Symphony lasted from 1963 until its publication in 1975. Over four decades his music has ranged from solo piano music through five string quartets and many ensemble and orchestral works. He was Associate Composer with the London Symphony Orchestra between 1992 and 1999, and Composer-in-Association with the Hallé from 2001-10, now their Composer Emeritus. Colin Matthews’ music is published by Faber Music. Julian Anderson is one of the most talented composers of his generation. Born in London in 1967, he studied with John Lambert, Alexander Goehr and Tristan Murail and first came to prominence when his orchestral Diptych (1990) won the RPS Composition Prize in 1992. Anderson has held Composer in Residence positions with the City of Birmingham Symphony, Cleveland and London Philharmonic orchestras, relationships which produced an impressive body of orchestral works including Stations of the Sun (1998, a BBC Proms Commission) and Eden (2005, Cheltenham Festival). Fantasias (2009), written for the Cleveland Orchestra, won a British Composer Award and The Discovery of Heaven (2011), a co-commission by the New York Philharmonic and the London Philharmonic Orchestra was awarded a South Bank Sky Arts Award. Both works were recorded by the LPO live label. Anderson has enjoyed commissions from bodies including the BCMG, London Sinfonietta, Asko-Schönberg Ensemble and Cheltenham Festival. Book of Hours for ensemble and electronics (2004) won the 2006 RPS Award for Large Scale Composition and featured on a NMC portrait disc. This was one of two recordings of his music to be nominated for a 2007 Gramophone Award, the other being the eventual winner, Alhambra Fantasy (Ondine). Poetry Nearing Silence (1997), originally a commission from the Nash Ensemble, was later arranged to become a successful ballet choreographed by Mark Baldwin. In 2009, Anderson and Baldwin collaborated again on a Darwin-inspired ballet, The Comedy of Change, which toured nationally. Julian Anderson's music is published by Faber Music and by Schott Music.More about Julian AndersonMore about Colin MatthewsSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV’S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev’s scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show

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