One of the hallmarks of mokuhanga is building a strong foundation grounded in tradition. By studying deeply and making work informed by those who came before us, today's mokuhanga printmakers help carry this beautiful tradition forward. On this episode of The Unfinished Print, a mokuhanga podcast, I speak with Roslyn Kean, a mokuhanga printmaker who is continuing the tradition of mokuhanga while developing her own unique perspective. Roslyn's work is a wonderful example of how mokuhanga can be both rooted in tradition and open to exploration. Roslyn and I talk about her studies with Tōshi Yoshida and her time in Japan. We discuss her perspective on mokuhanga as a medium, her baren making, and how Australia has become an important place for printmakers, including the positive impact of diversity on Australian printmaking. Roslyn also shares insights into her process, from dampening paper and papermaking to the skill and care involved in handmade work, as well as how to source tools and equipment for making mokuhanga. Roslyn Kean - website, Instagram More notes to be added soon. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Introduction music while working - Stormy Weather from The Oscar Peterson Trio Plays The Standards (2016) Musical Concepts Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

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