38. (ATASTTC) Feel-everything musicals and why they work

episode

Previously titled “(ATASTTC) Feel-everything musicals and why they work” — renamed by the publisher on Aug 3, 2026

The WhatsOnStage Podcast not yet transcribed

▲ 0

Transcript

This episode hasn't been transcribed yet Upvotes decide what gets transcribed next — 0 so far. Sign in to upvote

Related

recent transcribed audio

AWP: Beyond the Exam Room: Purpose, Myopia, and Population Health 54 min · 17 Sep 2026 · EyeCode Media

Essentials: How to Assess & Improve All Aspects of Your Fitness | Dr. Andy Galpin 35 min · 17 Sep 2026 · Huberman Lab

#502 – Psychiatry, Insane Asylums, Mental Illness, ECT, Lobotomies, Freud & Jung 3h 43m · 17 Sep 2026 · Lex Fridman Podcast

September 16, 2026 PC - Sep 16, 2026 1h 50m · 16 Sep 2026 · Fairfax County Planning Commission

Planning Commision 09/16/2026 - Sep 16, 2026 56 min · 16 Sep 2026 · Prince William County Planning Commission

Western Loudoun Rural Uses and Standards PCZOC Ad Hoc Meeting 2 - Sep 16, 2026 4h 45m · 16 Sep 2026 · Loudoun County Board Committees and Advisory Boards

Report any issue

Source

Recorded05 Sep 2023

Publisherfeeds.acast.com ↗

Handlerec:12175674

Show notes

The opening of Next to Normal at the Donmar Warehouse - a musical about bi-polar illness - prompts a conversation about the need for honesty on stage and whether there's a difference between US and British musicals. Plus Sarah reveals why she finally got Brecht and Nancy talks about her love of big songs in small spaces. Hosted on Acast. See acast.com/privacy for more information.

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Sign in