In his debut book We Survived the Night, artist and writer Julian Brave NoiseCat takes readers on a complex journey of Indigenous experience stemming from a childhood rich with culture and contradictions. Reeling from his father — a Secwépemc and St'at'imc artist haunted by a troubled past — abandoning his family, NoiseCat and his non-Native mother found themselves embraced and invigorated by their community. Supported by the urban Native population in Oakland, California and family on the Canim Lake Indian Reserve in British Columbia, NoiseCat was able to immerse himself in Native history and culture. Doing so bridged the gaps in his knowledge of his father's past and their stories and sent him on a journey to further his understanding of his people and himself. Told in the style of a "Coyote Story" — a legend about the trickster forefather of NoiseCat's people, revered for his wit and mocked for his tendency to self-destruct — We Survived the Night brings a traditional artform nearly annihilated by colonization back to life on the page. NoiseCat explores his personal origins amidst recounting on-the-ground efforts to correct the erasure of Indigenous peoples across the continent. Over years spent researching and developing his voice as a storyteller, NoiseCat grapples with the generational trauma of North America's First Peoples and learns of the cultural, environmental, and political movements reshaping the future. We Survived the Night dives into examples of Native endurance and modern achievements that NoiseCat studied in his journalistic endeavors — the historic ascent of the first Native cabinet secretary in the United States and the first Indigenous sovereign of Canada; the colonial origins and limits of racial ideology and Indian identity of the Lumbee Tribe of North Carolina; hauling the golden eggs of an imperiled fish out of the sea alongside the Tlingit of Sitka, Alaska. Blending history and mythology, research and personal memoir, NoiseCat seeks to reclaim a culture stripped away by years of colonization and the family ties that were severed in his youth. His voiced honesty and years of efforts link the past to the present, the community to the individual in a powerfully intimate depiction of contemporary Indigenous life. Julian Brave NoiseCat is a writer, Oscar-nominated filmmaker, champion powwow dancer, and student of Salish art and history. His writing has appeared in publications, including The New York Times, The Washington Post, and The New Yorker. NoiseCat has been recognized with numerous awards including the 2022 American Mosaic Journalism Prize and many National Native Media Awards. He was a finalist for the Livingston Award and multiple Canadian National Magazine Awards, and was named to the TIME100 Next list in 2021. His first documentary, Sugarcane, was nominated for an Academy Award for Best Documentary. Directed alongside Emily Kassie, Sugarcane premiered at the 2024 Sundance Film Festival, where NoiseCat and Kassie won the Directing Award in U.S. Documentary. NoiseCat is a proud member of the Canim Lake Band Tsq̓éscen̓ and descendant of the Líl̓wat Nation of Mount Currie. Joshua L. Reid (citizen of the Snohomish Indian Nation) is an associate professor of American Indian Studies and the John Calhoun Smith Memorial Endowed Associate Professor of History at the University of Washington, where he directs the Center for the Study of the Pacific Northwest. He is the author of The Sea Is My Country: The Maritime World of the Makahs. Buy the Book We Survived the Night Elliott Bay Book Company

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