Vanni Fucci has run off, wrapped up in snakes. But he's now just prey for Cacus, a centaur who arrives toting lots of snakes and even a dragon. Can it get any more dramatic?Join me, Mark Scarbrough, as we explore this strange passage in which we get a centaur who doesn't look much like his classical representations in Virgel, Ovid, and Livy--passages in which he's not even a centaur! This passage may explain the insistence on poetics throughout the seventh evil pouch, the seventh of the malebolge that make up the eighth circle of fraud in hell.Here are the segments of this episode of the podcast WALKING WITH DANTE:[01:44] My English translation of the passage: Inferno, Canto XXV, lines 17 - 33. If you'd like to read along, you can find this passage on my website, markscarbrough.com.[03:45] Cacus is a centaur but not like any of the other centaurs we've seen.[05:51] What does Cacus look like? There's a distinct tie between him and Vanni Fucci.[08:13] Virgil steps up to play the guide and explain who Cacus is.[10:45] Too bad Virgil's explanation bears only a passing resemblance to his version of Cacus in THE AENEID![14:55] Dante the poet is often seen as "coming out of the closet" in the seventh of the malebolge and admitting himself a literary thief. But all medieval poetry is based on theft. It's how the authority structure gets built. We'd expect Dante to be nothing less than a literary thief.[17:35] Rather than an admission from the poet, this passage may provide us with a clue about his art: poetry = theft + metamorphosis.

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“What did the council decide on item 42?” — answered with the speaker and the moment.