Wrapped in the dark, acrid smoke, Dante encounters one of the angry penitents and one of the most seminal figures in COMEDY, here at almost the exact center of the entire poem.Join me, Mark Scarbrough, as we work through the pilgrim's flatteries, the penitent's abrupt nature, and the questions of beauty that begin to dominate COMEDY itself.Here are the segments for this episode of WALKING WITH DANTE:[02:10] My English translation of the passage: PURGATORIO, Canto XVI, lines 25 - 51. If you'd like to read along or continue the discussion with me, please find this episode on my website, markscarbrough.com.[04:35] Is Marco still angry? Abrupt? What his deal with cutting and segmenting?[08:21] Virgil is all about the destination in a canticle all about process.[10:31] Dante the pilgrim is becoming the wonder of the poem. And he's beginning to connect beauty with ethics.[14:57] At first, Marco probably is walking toward (not with) Dante and Virgil.[17:19] Dante's answer to Marco seems to indicate that he now is indeed Aeneas and Paul (as opposed to how he felt in INFERNO, Canto II).[21:20] The erratic plotting of PURGATORIO positions this canticle between INFERNO and PARADISO.[25:05] Who is Marco of Lombardy? And is that even his name?[27:06] Marco of Lombardy is connected to Ulysses (from INFERNO, Canto XXVI).[29:28] Marco asks Dante the pilgrim to pray for him, a distinct change from those who've come before.[31:14] Rereading the passage: PURGATORIO, Canto XVI, lines 25 - 51.

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“What did the council decide on item 42?” — answered with the speaker and the moment.