Dante the pilgrim has met and spoken with the very heroes he's always admired. These are the Guelph leaders he himself admits he has remembered with so much honor.But their rhetoric is empty. Self-justifying. Flattering. And finally, ineffective.So Dante the pilgrim dares it all and translates his anger into something far more human: sadness and connection.Join me, Mark Scarbrough, for this important episode of WALKING WITH DANTE. Here, we begin to see a fundamental change in our pilgrim, Dante. He's not just a tourist in hell. He's a human with dashed hopes. And he may be starting to see a way out without resorting to the easy answer of anger.Here are the segments of this episode:[01:31] My English translation of this passage: INFERNO, Canto XVI, lines 46 - 63. If you'd like to follow along, you can find this translation on my website, markscarbrough.com, under the header "Walking With Dante."[02:58] Dante begins to put to death his political hopes for Florence.[06:48] Dante refines the terms of their rhetorical game. It's not about disdain, about who's up and who's down. It's about sadness, the hardest human emotion to feel.[10:02] "I leave the bitterness." And thereby, the pilgrim Dante also leaves Brunetto. There's another way to follow Dante's star to his glorious port. And it doesn't involve Brunetto's bitter history lesson of crab apples and sweet figs.[14:37] There are two ways to write a journey narrative: the things I saw v. the people I met. Dante chooses the latter--and it turns his story into something more difficult, more glorious, and more lasting.

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“What did the council decide on item 42?” — answered with the speaker and the moment.