We're in the eighth circle of hell, INFERNO's vast landscape of fraud. And we're way down in the eight of the evil pouches (the malebolge) that make up this most mucky and disgusting place--which holds one of the most noble and revered figures from classical poetry: Ulysses.Join me, Mark Scarbrough, as we get our first glimpse of Ulysses, trapped inside a tongue of fire with his compatriot, Diomedes. Virgil offers us an explanation for their damnation. We'll explore that bit first before we find out the ways Virgil gets it wrong.Here are the segments of this episode of the podcast WALKING WITH DANTE:[01:21] My English translation of the passage: INFERNO, Canto XXVI, lines 49 - 63. If you'd like to read along or drop a comment about this episode, visit my website, markscarbrough.com.[04:18] What do we make of the pilgrim Dante's eagerness in this passage?[07:04] What can we make of this divided flame and the classical reference to Eteocles?[11:33] Dante does not know Homer's works but he knows about Ulysses (or Odysseus) from many other sources.[13:22] What can we make of the reference to the vendetta theme in this passage?[14:47] What can we make of the reference to the Trojan horse and the insemination metaphor that follows this reference in Dante's poem?[20:41] What can we make of the reference to Daidamia and Achilles?[24:44] What is the Palladium that Ulysses and Diomedes stole?[27:19] Not every source Dante knew condemned Ulysses. Take Horace and Cicero, for examples.[29:19] Christian neo-Platonists used Ulysses as an allegory for the soul's journey, an interpretation Dante knew well.[32:13] Rereading the passage: Inferno, Canto XXVI, lines 49 - 63.

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“What did the council decide on item 42?” — answered with the speaker and the moment.