Dante the pilgrim leaves Marco of Lombardy behind, but Dante the poet is not yet done with fundamental questions for his poem--particularly, how does he know what he knows? The answer lies in the imagination, the shaky ground that Dante posits is the basis of revelation.If you'd like to help underwrite the fees for this podcast, please consider donating a small monthly stipend or a one-time gift using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:54] My English translation of the passage: PURGATORIO, Canto XVII, lines 1 - 18. If you'd like to read along or continue the conversation with me, please find the entry for this podcast episode on my website, markscarbrough.com.[03:26] The first canto in COMEDY that opens with a direct address to the reader may help us understand the reader that Dante has in mind for his poem.[05:50] The smoke of anger becomes a fog and mist, which then becomes clouds, all of which happens as poetic space overlays poetic space in a metaphoric tour de force.[10:08] Aristotle (and Aquinas) argued that the imagination is only based on sensory input.[13:09] Dante may well disagree, offering the imagination as a mechanism of revelation.[17:51] Dante begins to claim that his own poem is divinely inspired.[20:58] Rereading the passage: PURGATORIO, Canto XVII, lines 1 - 18.

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“What did the council decide on item 42?” — answered with the speaker and the moment.