Please consider donating to WALKING WITH DANTE to help me cover the costs of streaming, editing, royalties, hosting, and web domains for this podcast. You can do so by visiting this PayPal link right here.We've made it to the steps into Purgatory. In other words, we've made it to an interpretive quagmire. Seven hundred years of scholarship sit on these steps. But maybe there's a way we can clear off the dons and see the steps in a new way.Join me, Mark Scarbrough, as we explore these important twelve lines that lead us right up to the angel sitting at the gate of Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:21] My English translation of the passage: PURGATORIO, Canto IX, lines 94 - 105. If you'd like to read along or drop a comment about this episode, please go to my website: markscarbrough.com.[03:01] Dante's classical dream and Virgil's Christian explanation, continued.[09:03] The aesthetic beauty of the steps into Purgatory.[11:20] Two small bits to notice: "we came on from there" and the angel's position above the steps themselves.[15:51] The traditional, theological interpretation of the allegory of the three steps.[20:55] But the larger question: Why is the entrance to Purgatory an interpretive riddle?[23:11] The entrance to hell was a writerly act of words over the gate; the entrance to Purgatory is a speech act from the angel (which is still a writerly act because we read it on the page).[26:22] Confession is also a speech act.[27:21] Rereading the passage: PURGATORIO, Canto IX, lines 94 - 105.

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“What did the council decide on item 42?” — answered with the speaker and the moment.