Send us a textTo learn more, please visit ARCA's website.SHOW NOTES:03:00 Dr. Charney’s interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)05:00 Charney’s first book 05:30 first conference to bring academics and art police together06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure11:00 ARCA’s summer conference on art crime in central Italy14:00 Italy’s Carabinieri Art Squad17:50 ARCA’s CEO Linda Albertson18:30 Albertson’s blog post about return of objects to Cambodia by Doug Latchford’s Estate19:00 ARCA’s blog21:30 recommendations to those who want to return looted art or cultural heritage objects24:00 Missing Masterpieces exhibition 25:35 thief of Van Gogh’s Parsonage arrested though painting is still missing25:50 tip on whereabouts of Jean-Baptiste Oudry’s The White Duck26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium27:45 a work is ‘extant’ if its location is known28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney’s Museum of Lost Art 29:00 The Deposition in the Prado in Madrid is now considered van der Weyden’s masterpiece29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece29:45 the Justice cycle destroyed in a fire circa early 17th C.29:55 survivor bias - 2018 book The Museum of Lost Art31:10 The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach31:55 2017 book The Collector of Lives focuses on the life of Giorgio Vasari 33:00 rivalry of artists in Caravaggio’s 1599 The Calling of St. Matthew - artist used a duplicate of Sistine Chapel Ceiling’s hand of God by Michelangelo to paint hand of Jesus 34:15 Charney’s online discussion of Caravaggio’s 1599 The Calling of St. Matthew 34:50 Book of Drawings, twelve folios by Giorgio Vasari36:05 Vinci’s Battle of Angiati; Vasari’s use of false walls to preserve works he valued like da Vinci’s Battle of Angiati37:15 third work would be the Justice Cycle37:30 Charney’s preference for work in situ39:00 Vasari’s use of false walls to cover paintings 39:50 Vasari’s false wall in front of da Vinci’s Battle 40:50 Charney’s recommendations of books published by ARCA41:10 Context Matters: Collating the Past by David W.J. Gill - essays on antiquities, looting and archaeology41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl42:45 Charney’s The Art Thief’s Handbook - art theft essaysPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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