Queen Hatshepsut reigned as the fifth pharaoh of the Eighteenth Dynasty during Egypt’s New Kingdom period. Initially occupying the traditional role of queen consort to her half-brother Thutmose II, she assumed the regency for her infant stepson, Thutmose III, following her husband's death around 1479 BCE. By the seventh year of her regency, she broke with Egyptian tradition by officially crowning herself pharaoh and establishing a co-regency that lasted for two decades. To legitimize her authority within a political theology historically tied to male deities and the preservation of cosmic order (ma'at), Hatshepsut utilized art as a powerful tool of political propaganda. She commissioned hundreds of statues depicting her with masculine physical traits including a muscular torso, traditional royal kilt, and ceremonial false beard, while intentionally maintaining feminine titles, pronouns, and grammatical endings in accompanying written inscriptions. Her reign prioritized domestic stability, international trade revitalization, and an extensive monumental building campaign over military expansion. The crowning achievement of her building campaign is her mortuary temple, Djeser-Djeseru ("Holy of Holies"), located on the west bank of the Nile River across from the ancient religious capital of Thebes. Designed by her chief architect and closest advisor, Senenmut, this multi-tiered complex rises 80 feet high and features three broad, stacked terraces connected by central ramps that integrate seamlessly into the surrounding limestone cliffs. The temple walls are adorned with detailed relief carvings documenting her divine birth narrative which claimed she was the biological daughter of the supreme god Amun-Re, as well as her famous Year 9 maritime expedition to the Land of Punt, which returned with luxury goods and 31 live myrrh trees. Late in his independent reign, roughly 20 years after her death, her successor Thutmose III enacted a systematic campaign of damnatio memoriae, defacing her monuments and smashing her statues to preserve a strict line of male succession. This targeted vandalism successfully obscured her legacy for millennia until late 19th and early 20th-century archaeological excavations uncovered the fragments, allowing modern scholars to learn more about her true significance. ⁠Listen Ad-Free on Patreon. ⁠ For just $3 per month, you can get ad-free versions of Fun Facts Daily, Who ARTed and Art Smart. Head over to ⁠https://www.patreon.com/cw/FunFactsDailyPod⁠ if you are interested. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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