Paul Klee, born on December 18, 1879, in Switzerland, developed into one of modern art's most influential figures, crossing paths with major movements such as Expressionism, Cubism, and Surrealism. Raised in a deeply musical family, he trained extensively as a violinist and played with the Bern Music Association by age eleven before pivoting to the visual arts and moving to Munich in 1900 to study at the Academy of Fine Arts. Klee believed that classical music lacked further room for creative innovation, prompting his shift toward painting. While his early work consisted mainly of monochromatic etchings and drawings, a pivotal two-week trip to Tunisia in 1914 with August Macke and Louis Moilliet completely transformed his relationship with color, marking a permanent transition toward vibrant, abstract compositions. He later achieved significant professional success as a faculty member at the Bauhaus school from 1921 to 1931, where his highly structured teaching methodology and analytical lectures were compiled into the Paul Klee Notebooks, a text considered as foundational to modern art as Leonardo da Vinci’s treatises were to the Renaissance. The ascent of the Nazi regime dramatically disrupted Klee's career when the government classified his avant-garde creations as "degenerate art," forcing his dismissal from the Düsseldorf Academy in 1933 and leading to the systemic purge of 102 of his works from public museums. He spent his remaining years in Swiss exile fighting scleroderma, a severe autoimmune disease that hardened his skin and internal organs, rendering fine, intricate linework painful and difficult. Rather than stopping, Klee adjusted his style to accommodate his physical limitations, shifting toward simplified geometric forms, larger canvases, thick black outlines, and a somber color palette ultimately producing 1,254 paintings and drawings in 1939 alone. Over a lifetime that yielded more than 9,000 works bridging abstraction and representation, his 1922 oil transfer and watercolor masterpiece, Twittering Machine, remains a definitive highlight. The painting, which satirizes the industrial automation of nature through four wire-like birds operated by a hand crank, was confiscated by the Nazis from Berlin's National Gallery before being sold abroad and permanently acquired by the Museum of Modern Art in 1939. Related Episodes Bauhaus Parties Wassily Kandinsky Helen Frankenthaler ⁠Listen Ad-Free on Patreon. ⁠ For just $3 per month, you can get ad-free versions of Fun Facts Daily, Who ARTed and Art Smart. Head over to ⁠https://www.patreon.com/cw/FunFactsDailyPod⁠ if you are interested. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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