James Mangold writes and directs films across multiple genres, but the one style he uses as a prism for so much of his work is the American Western. James and Marc talk about how A Complete Unknown fits into the Western mold and why the placement of the camera was of utmost importance in telling this specific story about Bob Dylan. James also explains his directorial strategy and how it factored into the making of his films like Heavy, Walk the Line, 3:10 to Yuma and Ford v Ferrari. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast. Hosted on Acast. See acast.com/privacy for more information.
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Alright, let's do this. How are you, what the fuckers, what the fuck buddies, what the fucksters, what's happening? I'm Marc Maron, this is my podcast. How's it going? Welcome. You okay? Everybody alright? I guess I should... James Mangold, der Filmdirektor, der Filmmacher. James Mangold, real deal. Old school in a way. Great director. He made Copland. He made 310 to Yuma, Ford versus Ferrari.
He's nominated for Best Director at the Academy Awards for his film A Complete Unknown, the Bob Dylan movie, which you should probably see at least once. I've seen it once. I will see it again, I'm sure. But I'll be talking to him in a minute. I'll be in Iowa City tonight at the Ingler Theater. Come down. I don't know if it's going to be snowing or what. I'm a little nervous.
I don't know if there's going to be air traffic controllers in the towers. A lot of things that my brain does that are probably unnecessary. Some of them practical, some of them just panic driven. I'm in Des Moines, Iowa at the Hoyt Sherman Place tomorrow, February 14th. Kansas City, Missouri at the Midland Theater this Saturday, February 15th.
Then I'm in Asheville, North Carolina at the Orange Peel next Thursday, February 20th. Nashville, Tennessee at the James K. Polk Theater on Friday, February 21st. Louisville, Kentucky at the Baumard Theater on Saturday, February 22nd. Lexington, Kentucky at the Lexington Opera House on Sunday, February 23rd.
Dann komme ich nach Oklahoma, Texas, Südkarolina, Illinois, Michigan, Toronto, Vermont, New Hampshire und New York City für mein Spezial-Taping. Geh zu WTFpod.com für alle meine Dates und Links zu Tickets. Okay, also hier bin ich. I've decided and maybe I've talked about this in conversation. Call me crazy.
I'm sure that knowing my audience, though I know there's a separation between, you know, my audience, generally speaking, in terms of health oriented stuff and, you know, off the grid whack jobs who are, you know. Only cooking with tallow, eating lots of butter and probably not getting vaccinated. But, you know, the spiritual kind of new age health community.
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