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当我们去回顾日本摄影史时，得以发现“快照”一直是整个日本摄影乃至现在非常重要的一种创作类型。然而相比于指向诗意的，情绪的影像，佐内的影像风格就像他本人一样，永远是赤裸裸的，逃离意象的，甚至于沉迷“无聊”时刻的摄影。然而这也不妨碍他成为佐内正史，成为日本摄影中的一部分。
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