- 图文下方，说说你见过最好的黄昏 - - 诗享 - 诗人总是能从现实生活的细枝末节发掘出诗意，如同海绵吸水，不动声色地捕捉生活中的真实与幻觉。李元胜的诗歌意象正是这般细小琐碎又不庸实僵硬。 “树林相继模糊/一幅巨大的水墨画/我们只是无关紧要的闲笔”，随着暮色越来越深，眼前的景致已然从精细的油画变成了一幅水墨画，而我们只是水墨氤氲之间的一处闲笔。这是诗人对自然的敬重和感知，也是对自我的本真揭示。诗人在一种冷峻松弛的状态下欣赏青龙湖的黄昏，人是渺小的，只有承认这个现实，才能接受万物给予我们的启示。 - 乐说 - 配乐剪辑自日本指弹吉他演奏家岸部真明的作品《流行的云》。岸部真明的音乐细腻动人，他的音乐让人们思考音乐该有的情绪感染力而并非只注重眩目的技巧。
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