Adelaide Jensen

Is it because the characters are teens because they're going through a coming of age story?

The new adult, they're a little bit older.

Maybe they're faced with bigger world issues or whatever.

And then adult and really the only line I can see

is how much like graphic sexual content is in there and maybe how much like gore or violence or whatever in there.

Did you like have a particular part of this in mind when you started writing Songbird?

Like did you – were you aiming for a particular – I don't want to say like age range audience because that's limiting but –

Yeah.

I think it kind of does, like, read as a disservice to just say, like, you are this age so this book is for you.

Yes.

Because really what we've seen is so many, especially teenage readers, reading up, you know, reading –

up into like the adult genre and they're no longer shopping in the YA section they're shopping in the fantasy section because those are the books they want to read and really it's a whole interesting societal discussion about where is the line of like what's appropriate I suppose for like various age ranges but

You moved on swiftly from Emily Rodder to... Yes, yes.

What a time for you.

What a time.

I'm interested in what you just said about retrofitting your tropes.

Tell me about that.

Nor should you change it because Second Chance Romance is still very powerful because it's all about the yearning.

Yes.

Which I think you do have in the book.