Alec Baldwin

It's high up over the river.

You can walk along the edge of the track.

It's several feet at the most wide.

Sarah and hairstylist Joyce Gilliard were among the crew.

I was told that we were going to do a pre-shoot, trying to get a few shots of an area, you know.

I did not expect to be shooting an entire scene on the railroad trestle.

I went straight over to where they were setting up.

I began photographing and also taking behind the scenes footage.

We were told that two trains had passed and that was the schedule for the day and that we wouldn't have to worry about more trains.

It was going to be a dream sequence in which Greg Allman, from his hospital bed, would imagine Dwayne Allman, the guitarist, his late brother, somehow across the bridge.

unbeknownst to their crew.

They thought it was permitted.

It was not.

There was no medic on set and there had been no safety meeting.

I wasn't aware we were even going on tracks until I got there.

The director is the one who led everyone on the railroad tracks because he wanted to get the certain shot with the bed on the trestle.

And so William Park climbed onto the bed and asked, you know, what do we do if there's a train?

He asked how much time would we have to get off the tracks.

They did say you have 60 seconds to get off the track.

I was more or less 60 seconds to get off the track, and I started praying.