Amanda Dobbins

But I bumped on that.

We talked about it afterwards.

And I was just like, why did they have to look like that, even if they are meant to be a manifestation, you know, of a memory?

And then that brings in some interesting questions about the way that the movie, both certainly script wise, but even visually is.

Handle some of those flashbacks and some of the mythology around the two main characters.

What is explained?

What's not explained?

What is implied?

You know, that I found on a second watch.

That's what didn't work for me.

That's what I was still bumping on.

I think all of the.

The religious and specifically the Christian undertones just seem jammed on and also extremely obvious at the same time.

They both seem extraneous and also super literal.

In a way that I, you know, I understand this movie is trying to explore the nature of belief and faith and taking a leap of faith.

But, you know, some of it is I suppose that all of those characters are just used for such obvious plot purposes.

And also because I never respond to like deep exploration of faith in general at some point.

Well, it's just, again, there is no mystery at the end of it.

You know, they have the Eve Hewson character call and say, like, do you believe that God loves only us?

And the nun character is very clear.