Amanda Dobbins

I mean, one is also there's one is a technical, you know, marvel and achievement, the aesthetic that you're talking about.

And the other is, I think, has humans in it.

And then but both are examples of how a younger generation is going to figure out not just like how to get their movies distributed, but how to make movies in the first place.

You know, they're doing the training in real time on YouTube.

It's also auspicious for YouTube and the internet, which is these people got really big on the internet.

And instead of like launching a skincare brand, they are making movies and they want to bring them to theaters.

You know, like they have embraced a medium that we care about and are bringing a different generation and audience with them.

is positive.

Maybe they can also make a skincare brand.

I'm just saying, like, I mean, I mean, it makes sense because so much of horror, as I understand it, is based on the technical ability to set up the, you know, the aesthetics and the jump scares and the and the scariness.

And so that you have in YouTube specifically horror.

a testing run where you can try stuff out and actually, you know, see what works, what doesn't, kind of learn on the fly, learn without studios breathing down your neck and millions of dollars on the line.

And you can't, you know, a romantic comedy is a lot more dependent on writing, among other things.

And so... And performance.

And performance and also...

Frankly, production design and like money.

And so you can't try those in the same way.

So it's a good match.

It's not actually.

It's just that it's in book form.