Amelia Dimoldenberg

I think people connect to because it's not so usual.

I definitely grew up watching a lot of very bubbly TV presenters that agreed with everything the person opposite was saying to them.

And that's what I thought was, OK, that that's one way of doing it.

I'm not like that.

I don't want to do it like that.

So I just thought it would be funny to kind of flip it on its head and just be like, what if I disagreed with people?

What if I like rolled my eyes like this?

celebrity and brought them back down to earth that's kind of what i think but yeah the edit is is definitely my favorite part of the process um and um there's so many things you can do within it like you know you can have this 40 minutes and you can like kind of change it like in a way and that's the same with any kind of art form even if you're if you're a journalist or if you're a film director you know i think that it the piece is often made in in the edit

What's the idea there?

Well, it all started, I've always wanted to create a space for young people to learn more about the creative industries and be able to

actually get their ideas out there and meet like-minded people because that is the journey that I had with creating the show.

I wouldn't be where I am today if I didn't go to this magazine club after school from when I was 16 and we were all allowed to pitch ideas.

It was kind of probably like being at Condé Nast publications, but everyone's miniature and the building isn't as high up.

But yeah, so we were allowed to, you know,

think pitch ideas and write about whatever we wanted to.

And it was this amazing place to, to meet people.

And I don't know if that's, if that really is reflected in Condé Nast.

Okay.

Let's all do love and respect.

Let's take, let's take that away then.