Andrew Harrison

It was stretching things.

No.

But I do know that Danny Kelly marched into the NME office when we came out and shook it on the table and said, what are we doing?

Look at this.

And it's what we wanted to do.

It was like, show it for what it really is.

And the aerial photograph...

It's a 90s podcast, so I can be Vic Reeves and say that was my idea.

It was my idea.

It's like, it's a city.

It's a whole new city.

Why don't we get a camera up in the air somehow, photograph it, do it as a poster, and people can try and find their tent.

Initially, we tied it to a balloon.

And just cranked it up in the air.

But then in the following few years, Mick Hudson, the late Mick Hudson, RIP, a genuine madman, would go up in a helicopter and just, and we didn't even ask them first time.

We just set the helicopter up.

Glastonbury, not happy as I recall.

Then we started to get permission.

But Mick would like hang out of the helicopter like it was Vietnam, holding his camera, just shooting like crazy.

and just getting these amazing pictures.