Andrew Harrison

Why not?

Anna, being genius, went, yeah, and we can get onto loads of brands who'll just give us little samples of different kinds of crisps or, you know, knickknacks and just put it in there.

So, and it came out after I'd left because it was sort of, you know, I'd moved on to this other job.

But the magazine in a cornflakes box comes out with Inflatable Jarvis' Jarvi.

And it's a bit of a hit.

But what I loved about that was we had managed...

When the magazine had been kind of rescued by EMAP and Q, it was like, this is going to be Junior Q. It's going to be the same, but the band's going to be slightly younger.

It'll be boring.

I don't think... I mean, Q could be boring sometimes.

Yes, it could.

But it wasn't always boring.

It was a really good magazine.

But we managed to sort of take it off into its own direction.

And when Mojo launched, Mojo...

You know, it was a very radical thing at the time, the idea that you could apply proper journalism to, you know, Arthur Lee or whatever.

But Paul Denoyer, who was the launch editor of Mojo, it was a fantastically successful magazine.

We were out for a pint once and he said, I often feel that Mojo's got more in common with Select than it does with Q because Q was ultimately about success.

Who's at the top of the charts?

I'll give you a clue.

It's Mick out of Simply Red.