Anna Carey

For years.

And I actually, I think this is what's interesting in that the film is a snapshot of sort of the last hurrah of that sort of print magazine editor.

Like there's a bit where a designer does a sort of presentation of his forthcoming collection that isn't even, you know, it's not even finalised yet.

And she gives her verdict on it.

And Stanley Tucci's character says to Anne Hathaway, Stanley Tucci is Nigel, who's kind of the creative director, art director of the magazine editor.

says her opinion is the only one that matters.

Now, that is not the case for anyone in sort of legacy media now.

You know, the landscape has changed so much, but this film is a sort of snapshot.

You know, not necessarily a very accurate snapshot all the time, but in that sense... But those glossy magazines had incredible power, incredible money.

That's the bit that has really, in terms of, you know, I don't think they'd do it now.

Now we'll see, because, you know, I haven't seen the new film yet and it's very embargoed, but...

Yeah, there's a lot of stuff about Anne Hathaway supposedly, essentially being fat.

And like she says in it, that she's a size six, which is an Irish UK size 10.

You know, she is not, then or now, by any stretch of the imagination, large.

But first of all, they're sort of saying she's not slender.

That's the word that's used a lot.

And it's clearly a bad thing.

And there's a bit later on where...

Stanley Tucci says to her, like, you bet your size six ass.

And she sort of does a cheeky wink and is like, four.