Anton Corbijn

You know, that's quite easy.

Or this comes easily to me as a photographer.

But to get the depth of what the actors have to feel to create, you know, I need to learn a lot still.

You know, to work with Philip Seymour Hoffman or Samantha Morton, as you mentioned, you know, that's just a gift.

Yeah, amazing.

So professional and so finds the characters so quickly.

And I only had her for two weeks, so we had to work hard.

But she's not afraid of hard work.

Well, handprint is always more beautiful.

The great thing with the digital world is that every print looks the same, which is good if people buy a photograph that is the same as the one they've seen.

Whereas handprints, there can be some variety, of course.

Almost everybody prints now digitally.

The printing process is quite good.

And the frustrations of the darkroom, of not being able to...

hold back without seeing that you help.

I mean, there's a photographic term you hold back when you're printing.

You make some things lighter and darker in the print.

That's usually very visible.

Like I say, sky is printing the sky in darker, which is for dramatic effect.

You can always tell.