Arif Hodzic

speaker
3,378 appearances 8 recordings 3 series first heard Mar 2025 last heard 9 Jul

Arif Hodzic’s voice in public audio — every appearance, attributed to the second.

Trend

recordings per month · last 12 months
4 · Apr OctJan 26AprJulnow

Recordings per month over the last 12 months — 7 in all, peaking in Apr 2026 with 4.

Appearances

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It slices through decomposing flesh and shatters a bone, but this doesn't slow the creature down.
The elk's head juts forward and jerks its antlers toward me.
This time I duck and rush away, dodging through my living room as the creature chases after me.
through the kitchen, into the pantry.
I work the hidden lever and swing the door open.
I rush inside and shut the door.
Motion sensor lights come on, illuminating the stairwell.
There's no lock on the door.
I didn't think I would need one.
But maybe it will hold the creature long enough for me to plug the leak.
Wincing at the pain from the gash wounds, I hustled down the stairs and into the windowless basement.
The fog machines are still running, obscuring the floor.
Turning the corner off the stairs, I bring my prisoner into view.
I've come to think of it as female because of its feminine face, but it's beyond gender.
The rest of its body is a shifting mishmash of animal and tree parts.
Right now, a deer's torso, a bear's arms, the tail of a fox, and legs made of roots.
Unlike the creature upstairs, the deity's parts are living, but their natural brilliance has faded since I started absorbing her power.
Looking at it for too long hurts the mind because its body shifts and changes, but the high cheekbones, bright yellow eyes, and smooth delicate features of the humanoid face always stay the same.
The deity sits in the middle of the concrete floor, trapped on all sides by various totems, symbols scrolled on the floor with coal in painstaking detail, and, most importantly, the carefully placed bones of the animals and two humans I killed.
All of these are currently obscured by the fog, preventing her from seeing what they are.
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