Beatie Wolfe

And it's going out in so many different directions.

Yeah.

You know, we had luminol was dream music.

That's what we used to describe it.

Lateral was space music.

Not space in terms of outer space, space in terms of landscape, in terms of a horizontal plane.

But then luminol, dark matter, it's that which is there that we can't perceive.

You know, William Blake talks about how human beings used to have enlarged numerous senses.

I do feel that.

I think we are often missing so much of what's around us.

And so this feeling of almost...

you know, what is there, but we haven't tuned into it yet.

Yes, that's exactly it.

Oh, me too.

I mean, and liminal, I would say that there is nothing that's really fixed.

Often within the tracks, there are

There are a lot of elements that are changing, and quite subtly, that's, to me, what makes something feel alive.

Really thinking about how you make something feel like it still has the messiness of a human presence, where you don't know why, but it just feels like it's part of an environment as opposed to part of a music studio.

Well, the one that to me really feels like Dark Matter, whatever Dark Matter feels like, again, we're having to take great leaps of the imagination, is a track called Ringing Ocean.

which has a sense of depth and breadth and spectrum to it.