Beatie Wolfe

And I ended up sitting in front of this painting for

25 or 30 minutes, I don't even know how long, and almost being moved to tears.

I was so moved by it.

And I didn't know what was happening.

I was thinking, what is this?

Like, am I on something?

You know, suddenly seeing all these things in this painting that weren't there, you know, realizing it on another level.

I finally left and then I saw that there was a breakdown of these pictures showing them under UV light and showing how many layers and textures you could see when you viewed the painting I'd just been looking at under UV light.

And it was this realization of like, oh, informationally it was registering, something was registering, but I wasn't able to process it.

I just think we know so little really about what's going on.

And it's almost that humility.

I think dark matter to me is a kind of humility that we are just dipping our toe into this whole pool of understanding that is often so beyond description.

So Brian and I have been making all this music, which has just been wild, really.

You know, we've got to the point of having made almost 800 pieces of music in the space of a year and a half.

800 pieces of music?

Yeah.

Oh my God.

It's crazy.

So when I last looked, it was, you know, 778 or something like that.

Wow.