Ben Schwartz

Dude. Up and at them. Incredible. The goggles do nothing. Incredible. UK Office is a top five show for me, I think. Love it. Love it.

Dude. Up and at them. Incredible. The goggles do nothing. Incredible. UK Office is a top five show for me, I think. Love it. Love it.

Dude. Up and at them. Incredible. The goggles do nothing. Incredible. UK Office is a top five show for me, I think. Love it. Love it.

No. I've met him.

No. I've met him.

No. I've met him.

Oh, I used to. I did some. I wrote for like the Oscars one year. Oh, really? Yeah. So I used to freelance jokes for Letterman's Monologue. Right. And I used to freelance jokes for SNL Weekend Update. So I was writing jokes a lot when I was younger. And so every now and then I get a job to do that for people.

Oh, I used to. I did some. I wrote for like the Oscars one year. Oh, really? Yeah. So I used to freelance jokes for Letterman's Monologue. Right. And I used to freelance jokes for SNL Weekend Update. So I was writing jokes a lot when I was younger. And so every now and then I get a job to do that for people.

Oh, I used to. I did some. I wrote for like the Oscars one year. Oh, really? Yeah. So I used to freelance jokes for Letterman's Monologue. Right. And I used to freelance jokes for SNL Weekend Update. So I was writing jokes a lot when I was younger. And so every now and then I get a job to do that for people.

Yeah. Who do you write for for the Globes? I wrote for the Oscars. I wrote for Hugh Jackman. I wrote his musical opening number. Wow. Do you remember that musical opening number? Pull it up. So it was Dan Harmon, Rob Schraub, and I writing it. Rob Schraub? Yeah, dude. He's fucking a genius.

Yeah. Who do you write for for the Globes? I wrote for the Oscars. I wrote for Hugh Jackman. I wrote his musical opening number. Wow. Do you remember that musical opening number? Pull it up. So it was Dan Harmon, Rob Schraub, and I writing it. Rob Schraub? Yeah, dude. He's fucking a genius.

Yeah. Who do you write for for the Globes? I wrote for the Oscars. I wrote for Hugh Jackman. I wrote his musical opening number. Wow. Do you remember that musical opening number? Pull it up. So it was Dan Harmon, Rob Schraub, and I writing it. Rob Schraub? Yeah, dude. He's fucking a genius.

It was when he was trying to cast Community. So Community- Wow. So we wrote this musical. It's going to be too long. But it won an Emmy. So I won an Emmy for writing for the Oscars. Man, he's a hunk, huh? He's great. And- The full callback is that I did a show. I do two shows in New York every year. And he came to one of my shows at the Beacon. Oh! Like I hadn't talked to him in years.

It was when he was trying to cast Community. So Community- Wow. So we wrote this musical. It's going to be too long. But it won an Emmy. So I won an Emmy for writing for the Oscars. Man, he's a hunk, huh? He's great. And- The full callback is that I did a show. I do two shows in New York every year. And he came to one of my shows at the Beacon. Oh! Like I hadn't talked to him in years.

It was when he was trying to cast Community. So Community- Wow. So we wrote this musical. It's going to be too long. But it won an Emmy. So I won an Emmy for writing for the Oscars. Man, he's a hunk, huh? He's great. And- The full callback is that I did a show. I do two shows in New York every year. And he came to one of my shows at the Beacon. Oh! Like I hadn't talked to him in years.

And then he came and watched one of the shows at the Beacon. It's like the best venue ever. Dude. I think I played almost every theater in New York now. Nice. And that's my favorite one. It's classic. Easily. Yeah. I did Radio City, which was fucking enormous. Oh, that's too big, I think. For improv, imagine four people doing improv on there. Yeah, that's crazy.

And then he came and watched one of the shows at the Beacon. It's like the best venue ever. Dude. I think I played almost every theater in New York now. Nice. And that's my favorite one. It's classic. Easily. Yeah. I did Radio City, which was fucking enormous. Oh, that's too big, I think. For improv, imagine four people doing improv on there. Yeah, that's crazy.

And then he came and watched one of the shows at the Beacon. It's like the best venue ever. Dude. I think I played almost every theater in New York now. Nice. And that's my favorite one. It's classic. Easily. Yeah. I did Radio City, which was fucking enormous. Oh, that's too big, I think. For improv, imagine four people doing improv on there. Yeah, that's crazy.

It went great, but I was like, I think we pushed it. I think we pushed it a bit.

It went great, but I was like, I think we pushed it. I think we pushed it a bit.