Billy Corgan

So you're writing to the characters?

So you're writing to the characters?

This is a totally self-indulgent question. Do you have a favorite key to write in? Hmm.

This is a totally self-indulgent question. Do you have a favorite key to write in? Hmm.

This is a totally self-indulgent question. Do you have a favorite key to write in? Hmm.

It has a different, it has a sorrow to it. Do you feel that?

It has a different, it has a sorrow to it. Do you feel that?

It has a different, it has a sorrow to it. Do you feel that?

Right, even if it's major. Yeah, it's dark. It feels a bit dark, yeah. I know you don't just write alone, but.

Right, even if it's major. Yeah, it's dark. It feels a bit dark, yeah. I know you don't just write alone, but.

Right, even if it's major. Yeah, it's dark. It feels a bit dark, yeah. I know you don't just write alone, but.

I was getting there. But my point is, is there an inner reason or that's just, again, your comfort?

I was getting there. But my point is, is there an inner reason or that's just, again, your comfort?

I was getting there. But my point is, is there an inner reason or that's just, again, your comfort?

So not in the, like we're sitting in front of a bunch of kids, like they want to write songs. Yeah. Like a pro like me. Like what's your most sage writing advice?

So not in the, like we're sitting in front of a bunch of kids, like they want to write songs. Yeah. Like a pro like me. Like what's your most sage writing advice?

So not in the, like we're sitting in front of a bunch of kids, like they want to write songs. Yeah. Like a pro like me. Like what's your most sage writing advice?

Right. Well, you've showed up.

Right. Well, you've showed up.

Right. Well, you've showed up.