Brady Corbet

You're like, what the fuck is this? Yeah, absolutely. No, 100%. But I mean, like, you know, I loved Fugazi. I loved, you know, I mean, in terms of the artists of that era. And Scott Walker in the 90s was the alternative to the alternative. Right. I mean, and so you couldn't at that point go much deeper than that. Someone had to hip you to it. Yeah, but I don't know who. Oh, really?

You're like, what the fuck is this? Yeah, absolutely. No, 100%. But I mean, like, you know, I loved Fugazi. I loved, you know, I mean, in terms of the artists of that era. And Scott Walker in the 90s was the alternative to the alternative. Right. I mean, and so you couldn't at that point go much deeper than that. Someone had to hip you to it. Yeah, but I don't know who. Oh, really?

Yeah, I think that in all seriousness, I just think that from reading a lot, listening to a lot, one thing just kind of led me to another.

Yeah, I think that in all seriousness, I just think that from reading a lot, listening to a lot, one thing just kind of led me to another.

Yeah, I think that in all seriousness, I just think that from reading a lot, listening to a lot, one thing just kind of led me to another.

Oh, 100 Prozent. Nun, ich meine, Leute fragen mich ständig, weißt du, wer meine Einflüsse sind. Ja. Aber die echte Wahrheit ist, dass, zuerst einmal, es so viele gibt, dass ich nicht wissen würde, wo zu beginnen. Und zweitens, sie sind nicht Filmmacher. Nein. That's not really the well that you drink from if you're making something because you know better. Was it music and writers?

Oh, 100 Prozent. Nun, ich meine, Leute fragen mich ständig, weißt du, wer meine Einflüsse sind. Ja. Aber die echte Wahrheit ist, dass, zuerst einmal, es so viele gibt, dass ich nicht wissen würde, wo zu beginnen. Und zweitens, sie sind nicht Filmmacher. Nein. That's not really the well that you drink from if you're making something because you know better. Was it music and writers?

Oh, 100 Prozent. Nun, ich meine, Leute fragen mich ständig, weißt du, wer meine Einflüsse sind. Ja. Aber die echte Wahrheit ist, dass, zuerst einmal, es so viele gibt, dass ich nicht wissen würde, wo zu beginnen. Und zweitens, sie sind nicht Filmmacher. Nein. That's not really the well that you drink from if you're making something because you know better. Was it music and writers?

Yeah, absolutely. Painters? In the production office it's mostly paintings and photographers that are on the wall. And it's just, you know, I mean... Es ist eine verrückte Sache. Ich arbeite mit einigen Filmmachern in meinem Leben, die eine bestimmte Szene in einem Film bezeichnen, aber es scheint etwas kurzfristig.

Yeah, absolutely. Painters? In the production office it's mostly paintings and photographers that are on the wall. And it's just, you know, I mean... Es ist eine verrückte Sache. Ich arbeite mit einigen Filmmachern in meinem Leben, die eine bestimmte Szene in einem Film bezeichnen, aber es scheint etwas kurzfristig.

Yeah, absolutely. Painters? In the production office it's mostly paintings and photographers that are on the wall. And it's just, you know, I mean... Es ist eine verrückte Sache. Ich arbeite mit einigen Filmmachern in meinem Leben, die eine bestimmte Szene in einem Film bezeichnen, aber es scheint etwas kurzfristig.

Ähm, ich meine, ich würde sagen... Rothko-Guy? Nein, ich liebe Rothko, aber es war nicht auf meinem Kopf. In der Tat, nein, es ist mehr die Chiatoschiro-Dinge, wo wir, wenn wir schießen, wirklich versuchen, die Qualität eines Goya zu erreichen. Das macht Sinn. Epic fast. Well, it's also just the balance of light and dark with an emphasis on the darkness.

Ähm, ich meine, ich würde sagen... Rothko-Guy? Nein, ich liebe Rothko, aber es war nicht auf meinem Kopf. In der Tat, nein, es ist mehr die Chiatoschiro-Dinge, wo wir, wenn wir schießen, wirklich versuchen, die Qualität eines Goya zu erreichen. Das macht Sinn. Epic fast. Well, it's also just the balance of light and dark with an emphasis on the darkness.

Ähm, ich meine, ich würde sagen... Rothko-Guy? Nein, ich liebe Rothko, aber es war nicht auf meinem Kopf. In der Tat, nein, es ist mehr die Chiatoschiro-Dinge, wo wir, wenn wir schießen, wirklich versuchen, die Qualität eines Goya zu erreichen. Das macht Sinn. Epic fast. Well, it's also just the balance of light and dark with an emphasis on the darkness.

We really torture the negative so that essentially it even has the texture of a painting. Especially now where everything kind of looks like Apple Plus.

We really torture the negative so that essentially it even has the texture of a painting. Especially now where everything kind of looks like Apple Plus.

We really torture the negative so that essentially it even has the texture of a painting. Especially now where everything kind of looks like Apple Plus.

Yeah, you absolutely do. I mean, you can shoot, if you expose negative properly. Yeah. And you don't push it and it's just, then it can just be very clean and sort of, it can be sort of what the Alexa and the red cameras have sort of tried to emulate. Right. But there is all of this latitude where... You can achieve something with the quality of the image, which is where it really is.

Yeah, you absolutely do. I mean, you can shoot, if you expose negative properly. Yeah. And you don't push it and it's just, then it can just be very clean and sort of, it can be sort of what the Alexa and the red cameras have sort of tried to emulate. Right. But there is all of this latitude where... You can achieve something with the quality of the image, which is where it really is.

Yeah, you absolutely do. I mean, you can shoot, if you expose negative properly. Yeah. And you don't push it and it's just, then it can just be very clean and sort of, it can be sort of what the Alexa and the red cameras have sort of tried to emulate. Right. But there is all of this latitude where... You can achieve something with the quality of the image, which is where it really is.