Casey O'Brien

I do that too. I do that too. Yeah. There's no shame. That's the thing with our podcast. There's no shame. Yeah.

I do that too. I do that too. Yeah. There's no shame. That's the thing with our podcast. There's no shame. Yeah.

We are cringe, but we're free. Exactly.

We are cringe, but we're free. Exactly.

One out of three, okay.

One out of three, okay.

Millie, did any come to mind immediately?

Millie, did any come to mind immediately?

Thank you for translating. If you didn't understand that, don't worry, everybody.

Thank you for translating. If you didn't understand that, don't worry, everybody.

Yeah. Yeah, I would say I think that's right on. I think there are some like gateway directors that are like kind of like how, you know, cinephiles sort of like found their way into movies for my age. You know, Millie mentioned I'm very young that. So like I would say Paul Thomas Anderson is a really good director to kind of.

Yeah. Yeah, I would say I think that's right on. I think there are some like gateway directors that are like kind of like how, you know, cinephiles sort of like found their way into movies for my age. You know, Millie mentioned I'm very young that. So like I would say Paul Thomas Anderson is a really good director to kind of.

follow his career because he did like boogie nights which is uh art house film i would say but also like a major uh studio film um but then you know he did like there will be blood a few years later which is a lot i would say darker and weirder and um that was like nominated for like best picture and stuff but it kind of is a good way to like get into um

follow his career because he did like boogie nights which is uh art house film i would say but also like a major uh studio film um but then you know he did like there will be blood a few years later which is a lot i would say darker and weirder and um that was like nominated for like best picture and stuff but it kind of is a good way to like get into um

More of the like highbrow, you know, cinephile movies. And then so that's like more on the easier end. And I would say like, you know, we're recording this today. One of the great film directors died. David Lynch, my favorite director. And he's like a great actor.

More of the like highbrow, you know, cinephile movies. And then so that's like more on the easier end. And I would say like, you know, we're recording this today. One of the great film directors died. David Lynch, my favorite director. And he's like a great actor.

he's kind of you have to if you want to get into film you have to see some of his movies and i would say the entry point for that for him would be blue velvet i would say yeah it's a weird but it feels weird it feels like this is like no other movie i've ever seen but the plot makes sense and you can understand why things are happening where that cannot

he's kind of you have to if you want to get into film you have to see some of his movies and i would say the entry point for that for him would be blue velvet i would say yeah it's a weird but it feels weird it feels like this is like no other movie i've ever seen but the plot makes sense and you can understand why things are happening where that cannot

be said for most of his other movies so that's like a good if you want to get into David Lynch I would say start with Blue Velvet

be said for most of his other movies so that's like a good if you want to get into David Lynch I would say start with Blue Velvet