Chloe Hadjimatheou
👤 SpeakerAppearances Over Time
Podcast Appearances
Without any witnesses who are prepared to talk, there just isn't enough evidence for it to go to a jury, so they're dropping the case. Und wo ist Sally Ann Bowen an diesem Punkt? Nun, sie ist Head of Science an einer Sekundarschule, nur 30 Minuten Fahrt von Christ College. Ich habe ihr CV gesehen. Sie hat Jahre lang von einer Schule nach der anderen geflogen, manchmal nur ein paar Monate.
Without any witnesses who are prepared to talk, there just isn't enough evidence for it to go to a jury, so they're dropping the case. Und wo ist Sally Ann Bowen an diesem Punkt? Nun, sie ist Head of Science an einer Sekundarschule, nur 30 Minuten Fahrt von Christ College. Ich habe ihr CV gesehen. Sie hat Jahre lang von einer Schule nach der anderen geflogen, manchmal nur ein paar Monate.
13 verschiedene Schulen insgesamt, bis sie in diese letzte Position gelandet ist. Und all diese Sekundarschulen? Vielfältige Möglichkeiten, das Verhalten zu erneuern. The problem was pushed on from Christ College, but had it really gone away? There are so many schools she's taught at though, none of which I have a connection to, so where to start? It turns out, I don't have to look that far.
13 verschiedene Schulen insgesamt, bis sie in diese letzte Position gelandet ist. Und all diese Sekundarschulen? Vielfältige Möglichkeiten, das Verhalten zu erneuern. The problem was pushed on from Christ College, but had it really gone away? There are so many schools she's taught at though, none of which I have a connection to, so where to start? It turns out, I don't have to look that far.
Coming up on Lucky Boy.
Coming up on Lucky Boy.
Lucky Boy is reported by me, Chloe Hajimathau. The producer is Gary Marshall. Additional production from Rebecca Moore. Sound design is by Hannah Varrell. Original music by Tom Kinsella. Podcast artwork by Lola Williams. The voice actors are Steve King and James Shield. The executive producer is Basha Cummings.
Lucky Boy is reported by me, Chloe Hajimathau. The producer is Gary Marshall. Additional production from Rebecca Moore. Sound design is by Hannah Varrell. Original music by Tom Kinsella. Podcast artwork by Lola Williams. The voice actors are Steve King and James Shield. The executive producer is Basha Cummings.
If you or someone you know has experienced the issues covered in this episode, there are places you can reach out to. If you have any concerns about a child, then you can contact the NSPCC's helpline by calling 0808 800 5000 or emailing help at nspcc.org.uk or visiting their website. Children can contact childline at Das ist jo.samaritans.org.
If you or someone you know has experienced the issues covered in this episode, there are places you can reach out to. If you have any concerns about a child, then you can contact the NSPCC's helpline by calling 0808 800 5000 or emailing help at nspcc.org.uk or visiting their website. Children can contact childline at Das ist jo.samaritans.org.
Just a warning before we start. This episode includes descriptions of sexual abuse and strong language. Last time on Lucky Boy.
Just a warning before we start. This episode includes descriptions of sexual abuse and strong language. Last time on Lucky Boy.
So I don't know whether it would surprise you to know that it's been incredibly hard to get people to talk to me for this series.
So I don't know whether it would surprise you to know that it's been incredibly hard to get people to talk to me for this series.
The way I found this guy, Gavin, was really just the result of a numbers game. I called so many former Christ College pupils that I was bound to find someone who'd talk to me in the end. And it's a good thing he picked up the phone, because I do need people to talk, to tell me what they remember about Miss Bowen. It's important to say that Gareth's account seems credible to me.
The way I found this guy, Gavin, was really just the result of a numbers game. I called so many former Christ College pupils that I was bound to find someone who'd talk to me in the end. And it's a good thing he picked up the phone, because I do need people to talk, to tell me what they remember about Miss Bowen. It's important to say that Gareth's account seems credible to me.
I've spent hours with him going over his story and he's frank about what he can and can't recall from the time. Even so, memory's a tricky thing, affected by all sorts of factors. Not least that what he remembers was seen through the eyes of a 14-year-old, a child whose lack of experience and judgement could have blurred context or nuance.
I've spent hours with him going over his story and he's frank about what he can and can't recall from the time. Even so, memory's a tricky thing, affected by all sorts of factors. Not least that what he remembers was seen through the eyes of a 14-year-old, a child whose lack of experience and judgement could have blurred context or nuance.