Chris Mayer (Hisense)

speaker

243 appearances 1 recordings 1 series first heard Jul 2026 last heard 9 Jul

Chris Mayer (Hisense)’s voice in public audio — every appearance, attributed to the second.

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Recordings per month over the last 12 months — 1 in all, peaking in Jul 2026 with 1.

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Two Blokes Talking Tech · EFTM: Talking TVs with Hisense and giving to Margaret for her nursing home songs! · 9 Jul 2026 podcast

Jesus, it's like they're in the room with me right now.

You know, for me, I usually, and if you'll allow me, I usually will describe mini-LED because I think it actually really helps as a basis as to why RGB exists.

And so I think a really big thing that I like to explain is the way that we've lit TVs for so many years now is we'll have a light source at the back of the TV, a good TV,

is going to be a mini LED, which means that we have hundreds of light sources.

They're all pointing straight towards you and they're set up in a grid.

And what we've been doing is we will light the TV by having maybe a blue light that's covered in some sort of coating.

And it goes through a whole bunch of layers, quantum dots, all this complicated stuff.

And what you get at the end is a bright white light.

And that's what we've been trying to do for the last nine, 10 years is we get a bright white light

And then what we do is we close it down to the red, to the green, to the blue, to the mixture of colors that you want to see.

Whereas RGB completely flips that.

And this is why it's such a cool technology.

Instead of going all the way up to white and then cutting it down to what you need, which is costly, which creates bright blooming areas on your screen, which can ruin the image.

What we do with this technology is we say, well, you want red?

I'm just going to turn red on.

And that's it.

We just turn on the color that you actually need to see.

So I think of it as an additive rather than a subtractive, destructive.

And what that means for the customer is colors are going to be exactly as they're meant to be, 100% cinema color accuracy.

And also we're saving electricity because we're not wasting energy trying to get up to a white and then bring it back down, which is awesome.

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