Chris Sullivan

You let me know.

Like we see Marshall one time.

He seems like a good young man.

Yes.

About as square as he can be.

And there's no chemistry at all whatsoever.

And like-

it the the side is like we see them like in bed we see hi yeah and laurel in bed together and it's just like she tells him for the first time in vietnamese like i love you and he says it back it to her and he's and she's like what's that mean he goes i love you too and it's like okay yeah so those two things are happening at the same time next thing you know he she comes home oh dad he's like where have you been he's like you know my studies i gotta keep up with stuff my girlfriend's house yeah

Yeah, you know, she's like, yeah, well, Marshall says he hasn't seen much of you either.

You know, he got a promotion at the bank and he asked for your hand in marriage and I said yes.

And so if he comes over tonight and he proposes, I expect you to say yes, right?

So there's not options, which I think the writers necessarily had to do because she's in a rock and a hard place, right?

If she stays now, because she goes too high and says, look, I got to go.

If I stay here, I'm going to live a life fundamentally that's not mine.

It's his, and I don't want it.

And I want my life, basically.

So let's go.

And he's like, I got my parents here.

I have an obligation.

I can't really leave them, but you can stay with me.