Cooper Moll

Walk me through because this story was something that at Glass we were developing for like a few years.

It was always percolating in the background.

There was something gravitating me, my colleague Ben, my colleague Carrie towards this.

Tanya, aka Margo, when you came onto it, you were meeting this material with like fresh eyes, like new, like you didn't know much about it.

So tell me what it was like to

interact with the story for the first time and what stood out to you that made you think, I need to be part of this?

Tell us a little bit about what you know about Glenn Nash.

Right.

And I think what the, we talk a lot about this on Betrayal about agency and decision-making.

And what I find so fascinating about this story, Cooper, is that

It really explores the humanity in true crime because she had to – she's making very intense decisions as a human being trying to navigate a really volatile situation.

She gets embroiled.

She gets in the mix with someone who's not just an alcoholic but mentally unstable, is

It has a tenuous grasp on reality at this point and it is getting more intense by the day.

And so I think it is easy for people with distance to take a look at that set of circumstances and say, why don't you just leave?

But there's like you said that you, she felt indebted to a friend.

She wanted to make sure her friend was okay.

And then you start realizing that you've been put in a situation that you actually can't get out of.

And when you come to that realization, it's sometimes, it's usually often too late.

And that reality is something that I think gets glossed over.