Cooper Moll

One of the things that feels really important to me when we were really exploring the story, and maybe this is just the feminist in me, but it became very clear, very early on based on the set of circumstances that Tanya was under and how sick Glenn Nash was that this is actually like, it's not, not a betrayal story, Cooper.

In some ways.

Yeah.

And for me, what felt like the first one, the first big one, right, was when they both get arrested and Nash, you know, he gets he's it's decided that he's, you know, criminally insane.

He can't he can't stand trial.

He's

goes to a mental institution, he's committed.

And now Margo has to face justice.

She has the justice system on behalf of something that he did.

And for me, it very much felt like an example of a woman answering for a man's crimes.

And that to me, I felt like was at the heart of it and what I think is very betrayal-esque.

How does that resonate with you?

It's hard.

But definitely when you're existing with it, with a case where there are people victims that lost their lives to

really lean in to understand the story behind how they lost their lives.

But you know, the reality is, is that Margo was facing 99 years too.

So she also was facing the fact that she lost her life.

She was giving up.

That was taken away from her.

Her life was essentially taken too.