Dan Levy

So the clothes had to actually come from prior to their scandal.

So that was also something that you had to keep in mind, which was, okay, well, if we're gonna go down the path of Balenciaga,

I think at the time, Alex Wang was at Balenciaga.

So it was like, well, we had to go to Nikola.

We had to pull from the designers that Moira would have shopped at before she lost it all.

And as a fashion lover, this was the greatest thrill, working with my costume designer, Debra Hansen, on that show, because I got to touch these garments that I've...

been obsessed with my whole life and never had access to.

So selfishly, the high fashion elements of the show really kind of were a direct result of my desire to play with clothes that I never had a reason to before.

And also Catherine came in with such a clear idea of how she wanted to dress, that it was about facilitating her vision.

And she had referenced Daphne Guinness.

I was so fascinated by that.

And the minute that she gave me that reference, I mean, how fabulous.

I knew exactly where to go.

And so it just became, you know, not impersonating Daphne Guinness, but personalizing Moira's interpretation of Daphne Guinness.

I mean, complete genius.

And it was heaven.

Yeah.

And Catherine was the ultimate kind of, she could wear clothes so easily.

And we were finding complicated, heavy clothes everywhere.

And she would put them on, she would put on sort of a sculptural piece of sort of Comme des Garcons and wear it so easily and effortlessly.