Dan Levy

Some of the fondest memories of shooting that show was simply putting her into the clothes.

There's a raff for Jill Sander dress she wears.

It's a black PVC strapless dress that we put a shirt underneath.

And we had these custom shirts made, these kind of Karl Lagerfeld collars, these high collared shirts that were all custom made for her.

And it was this black dress that had a black PVC tie around the waist in order to kind of snatch the waist in.

And she wears it when she's being photographed in the field.

And it's a moment of like extreme vulnerability for her because she's kind of being used.

And there was something so uncomfortable about the look

that it made for her own discomfort.

Like it brought about this discomfort in, I think, the character of Moira, but also it required, at one point I looked over and two people, because it was PVC, to tie the...

Belt it was rubbing on against like rub like kind of plastic on plastic or rubber on rubber So someone I looked over and they had their foot on her back and they were pulling two different people were pulling the belt around because they had like a double wrap around her waist and then it had like a tie in it and in order to get the tie you had to Hyper stretch the PVC so that by the time that you tied it and released it It would stay

And those are the memories that I cherish with the show and with Catherine is like some of some having to almost look at an instruction manual on how to wear some of the clothes that we put her in.

Yeah.

Well, it's a master stroke and it was just magnificent in so many ways.

And, uh,

You're such a brilliant artist, Dan, and it's just wonderful to talk to you.

Thank you so much for being on Fashion Eurasia.

Thank you so much for having me.

Hi, my name is Dan Levy, and I'm feeling thrilled, titillated, excited, stimulated.

Jesus.