Demi Moore
speaker
237 appearances
3 recordings
3 series
first heard Jan 2025
last heard Feb 2025
Demi Moore’s voice in public audio — every appearance, attributed to the second.
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Appearances
Das war ein großer Film. Ja, für ein paar junge Schauspieler war es wie der Veränderung auch. Die waren nicht in Filmen, die die Geschichten von jungen Menschen waren.
Also, ich? Ja. An diesem Punkt? Ja. Also, ich habe... Ja. Ja. Ja. Ja. And I remember Joel Schumacher saying to me, if I hear of you even drinking one beer. And I was like, I don't drink. And then I Ja. Ja. Ja. Ja. Ja. I can handle it. And the woman who was the administrator had spoken with me and she said, you know, we'd like to put you in a bed.
And of course they did it as they had my bag and everything was already all set. So I couldn't have, they covered all the excuses I might have. Und ich sagte, nein, nein, aber du verstehst nicht, ich starte einen Film in 15 Tagen. Und sie sagt, was ist wichtiger, der Film oder dein Leben? Und ich sagte, der Film. Weil, weißt du was, das war an dem Moment alles, was ich hatte. Das war mein Leben.
Und durch die Gnade Gottes, Joel hat seinen Nacken ausgestoßen, das Studio hat seinen Nacken ausgestoßen, der Produzent hat seinen Nacken ausgestoßen. Und ich war niemand. Ich war an einem Punkt, an dem ich Box-Office hatte. Es gab keinen Grund, außer ich denke, es war ein Teil von diesem Grupp, das für mich tat, was sie nicht für sich selbst tun konnten. Und es war ein Wunder.
Und ich bin wirklich so. Ich brauche keinen anderen Detour.
Ja, ich bin auch vegan.
Ja, ich fühle mich besser.
I mean, that, like, kind of the trajectory was St. Elmo's About Last Night.
And that was, you know... Did Mamet write that script? It was based on sexual perversity in Chicago, right. He did Ed Zwick. Oh, yeah, yeah, I know that guy. Jim Belushi.
Elizabeth Perkins.
And it was, if I really look back, it's not like things happened overnight, but it was all moving in a very steady direction. And I can look back today and realize, wow, I was terrified.
That I didn't know what I was doing, that I definitely was a fraud.
I didn't know how I was, how did I, where was it coming from? Yeah. I didn't know.
I mean, there was something. The thing was, when you don't know what that is, it's very scary. Because you're like, maybe it'll show up today, maybe it won't. How did that happen?
And so you have no... Like, I had no blueprint or barometer for my own... All the way up through Ghost. Well, yeah. Like, I think Ghost was... Ghost became a shift because it was... Weil es mich wirklich tief aus meiner Komfortzone gedrängt hat. Weil es mich wirklich gedrängt hat, mich mit etwas zu beschäftigen, mit dem ich es noch nie beschäftigt hatte.
Und ich denke nicht selbstbewusst, dass ich es sogar im Prozess beschäftigt habe, was Grief war.
Nur Grief. Genereller Grief. Weil der Film, Ghost, ist alles um Verlust.
That's the thing is, I think I had such deep grief. By that point, my dad had killed himself. I was, you know, had a very, you know, challenged relationship with my mother. I had been on my own so long. You know, I did Ghost at 25, almost 26, I think, 26. I'd been on my own already 10 years. So I think...
I don't think that, I mean, I had only a little bit by being sober.
But I don't think that, I think that I had a lot of grief there. I just, it wasn't processed. Right, yeah.
Showing 181–200 of 237 · page 10 of 12
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