Dora Drimalas

It's the proof.

It's the proof that, hey, we're a good studio, look at the work.

Okay, check the work box.

Diversity of studios, diversity of kinds of projects, stories, people we got to work with.

But I always feel like it sells a studio short to only show the finished work.

Because any designer will tell you behind the finished work are...

Tears is a messy process, is a ridiculous timeline.

Every project is different.

And years and years and years of that gives rise to theories and approaches to doing the work.

which are the essays that you see inside it's the writing it's the thinking and even before that is the inspiration so including the collecting weirdness and showing how disparate that can be it's a glider pilot training kit it is their vases from italy it's japanese vintage toys

It's movie posters.

What are all these beautiful things that are everywhere that designers and creatives, I think, should be paying attention to?

They should be building on this knowledge.

And when you get to build on the inspiration, then it just flows into all these other things seamlessly.

And I love a snackable book.

So back to food.

There's going to be a lot of food.

I wanted people to come in wherever they were.

And I wanted the book to meet creatives wherever they are in their career.

And I'm usually not a linear person.