Dr. Marissa Vigneault
speaker
519 appearances
1 recordings
1 series
first heard Jun 2026
last heard 16 Jun
Dr. Marissa Vigneault’s voice in public audio — every appearance, attributed to the second.
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recordings per month · last 12 monthsRecordings per month over the last 12 months — 1 in all, peaking in Jun 2026 with 1.
Appearances
And so she picks up on it.
She sort of meanders back onto the more visible part of the stage and does a little like, let me take my top of my bustier, like unbutton this and getting all of the like, whoo-hoo vibes.
You know, response to it.
And then again, leaves the stage.
So this was one of Minsky, one of the Minsky Brothers theaters.
And he sees that he's like, all right, that's our new stage act every night.
Like, this is how we're going to bring it in.
But it's really, really tame at the beginning because, you know, the first introduction of the thing is usually like it can be scandalous at its very basic levels.
And, you know, we have a there's a long, long, long history and female performances of the body that hint at or even go into stripteases.
I mean, a lot of these burlesque performers are like this goes back to Cleopatra and her dances that she would do as well.
Right.
Like we've got these.
But how it sort of like then emerges and comes into the 1920s and 30s is that there's a little bit more that's revealed, a little bit more.
And then that's why we get those laws around, well, if you're going to take your top off, you have to have something covering your nipples.
And so we get the pasties that get developed there.
Well, if you're going to take your skirt off, then you have to have something covering your crotch.
And so that's where we get the G string kind of invented there as well.
So that kind of progresses, progresses.
After Minsky shuts down and burlesque gets kind of put into the backstages, what we start to lose are the big productions.
You lose the big sets.
Showing 401–420 of 519 · page 21 of 26
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