Drew Taggart

I just watched this Brian Eno interview with Zane Lowe and he was just talking about AI and is it scary to him and this?

And he was like, no, because at the end of the day, it's still just a tool for now, at least.

I mean, every song I feel like kind of is its own.

Yeah, I mean, probably was like almost like a year to this day.

That was like an interesting song, especially obviously for me, I'd just gone through a breakup or something and we were like pulling a lot of inspiration from that.

Just generally speaking, you know, like you kind of go into the studio and you're like, what interesting concepts or things that are happening in our lives talk about or expand on or just talk about and then like a lyric or something happens.

And we were like thinking about

New York City, which is obviously where we started.

On a day like this where it's like 75, sunny out, winter's over.

You know what I mean?

And it's time to like be feral and enjoy the city.

And like all those like bars, fun restaurants with the sidewalk space are just overflowing into the streets.

And it's like hard to find something that isn't fun.

And so it was kind of like using that as a metaphor for like coming out of a relationship.

But then it's like there's so many decisions and

things you have to talk about.

How long do we want the verses to be?

Is it too wordy?

Is it too dancey?

Is it not dancey?